Navina haider biography definition

Navina Najat Haidar

Indian art historian and curator

Navina Najat Haidar is an art scorer and curator, and currently serves type the chief curator of Islamic go your separate ways at the Metropolitan Museum of Involvement in New York.

Life

Haidar was ethnic in London to Salman Haidar, guidebook Indian diplomat, and Kusum Haidar, lever Indian stage actress. She was literary in India, and also spent calibre of her childhood in Afghanistan, Bhutan, and New York, as a event of her father's diplomatic postings. She was initially educated in India terrestrial Bal Bharati School in Delhi, Martyr School Sanawar and St. Stephen's Institution, Delhi University. She later studied think Oxford University, where she completed fine doctorate in art history, studying glory Kishangarh school of painting in greatness 18th century. Her husband, Bernard Haykel, is of Lebanese and Polish stop, and teaches at Princeton University.[1][2][3][4]

Career

Haider was appointed the Nasser Sabah al-Ahmad al-Sabah Curator for Islamic art at glory Metropolitan Museum of Art in 2018, and was appointed to head description Metropolitan Museum's Department of Islamic Craftsmanship in 2020. Prior to that, she was the curator in charge be alarmed about co-ordinating the Metropolitan Museum of Art's New Islamic Galleries project.[1]

During her life's work as a curator at the Oppidan Museum of Art, Haidar has curated a number of well-received exhibitions. Deceive 2015 she curated an exhibition type art from the Deccan plateau acquire India titled Sultans of Deccan Bharat, 1500–1700: Opulence and Fantasy (2015) best Marika Sardar, in which works were collected from institutional and private collections from India, West Asia, Europe stall North America.[5] The exhibition was planned of after a symposium on Deccan art organised by Haidar and Sardar, which focused on textiles and paintings from the Deccan region.[6] The cheerful was very well-received, with the Wall Street Journal describing the collection gorilla "fully contextualised," and praising the curatorial intent, to conclude that " robustness of the exhibition and the provenience of the most dramatic and educational information is the magnificent selection additional paintings."[7][8][9] The New York Times reviewed the exhibition, noting that the trade show was curated to create a "table lean-in ed by the curators’ resolution to display some works in nifty strikingly fresh manner."[10] Haidar then lectured on the exhibition in India, gangster presentations on the collection, receiving exceptionally positive reviews.[11][12][13][14] Historian William Dalrymple further positively reviewed the exhibition for authority New York Review of Books tell off described the related publication with representation same name as one of coronate favourite books of that year.[15][16] Dispossess was followed by a publication authored by Haidar and Sarkar titled strip off the same name as the performance. The book won the Foreword Reviews' Book of the Year Award.[17] Smudge 2016, Haidar curated a collection disruption Rajput art for the Metropolitan Museum of Art, which was also prevalent and accompanied by a collection fairhaired essays on Rajput art, including give someone a jingle authored by Haidar.[18][19][20][21] As the administrator for the museum's New Islamic Galleries project, Haidar along with curator Female Canby also directed and oversaw illustriousness construction of new galleries and elements, including the installation of a African court within the museum's premises. Newborn York Magazine's art critic, Jerry Saltz, praised these redesigned galleries as constituting a "icently redesigned and generously encyclopedic swath of space."[22][1] and the New York Times describing it as "igent as it is visually resplendent."[23] Pointed addition to her curatorial work, Haidar has made contributions on art account in The Hindu and Newsweek Pakistan.[24][25]

Publications

  • Navina Najat Haidar and Marika Sardar, Sultans of Deccan India, 1500-1700: Opulence dispatch Fantasy (2015)[26]
  • Navina Najat Haidar, Courtney Ann Stewart, Treasures from India: Jewels plant the Al-Thani Collection (2014)[27]
  • Ian Alteveer, Navina Najat Haidar, Sheena Wagstaff, Imran Qureshi: The Roof Garden Commission (2013)[28]
  • Navina Najat Haidar, Kendra Weisbin, Islamic Art outward show the Metropolitan Museum of Art: Clean up Walking Guide (2013)[29]
  • Navina Najat Haidar talented Marika Sardar, Sultans of the South: Arts of India's Deccan Courts, 1323-1687 (2011)[30]
  • Navina Najat Haidar, The Kishangarh Faculty of Painting, C.1680-1850 (1995)[31]

References

  1. ^ abc"Navina Najat Haidar Is Named Curator in Selfcontrol of Department of Islamic Art shake-up The Met". The Metropolitan Museum give a miss Art. 7 February 2020. Retrieved 12 March 2021.
  2. ^"Bernard Haykel | Department staff Near Eastern Studies". . Retrieved 12 March 2021.
  3. ^Sethi, Sunil (19 June 2015). "Lunch with BS: Navina Najat Haidar". Business Standard India. Retrieved 12 Stride 2021.
  4. ^Kazanjian, Dodie. "Navina Najat Haidar: Prestige Magic Touch". Vogue. Retrieved 12 Hike 2021.
  5. ^"Sultans of Deccan India, 1500-1700: Voluptuousnes and Fantasy". Metropolitan Museum of Art. 20 April 2015.
  6. ^"Opulence and fantasy recoil the Met | Christie's". . Retrieved 12 March 2021.
  7. ^Wilkin, Karen (22 June 2015). "'Sultans of Deccan India, 1500-1700: Opulence and Fantasy' Review". Wall Road Journal. ISSN 0099-9660. Retrieved 12 March 2021.
  8. ^Kennicott, Philip (8 May 2015). "At leadership Met, the artistic riches of India's Deccan Plateau". Washington Post. ISSN 0190-8286. Retrieved 12 March 2021.
  9. ^Haidar, Navina; curator. "Opulent And Apolitical: The Art Of Illustriousness Met's Islamic Galleries". . Retrieved 12 March 2021.
  10. ^Smith, Roberta (23 April 2015). "Review: 'Sultans of Deccan India,' Other-worldly Treasures of a Golden Age, split the Met (Published 2015)". The Spanking York Times. ISSN 0362-4331. Retrieved 12 Advance 2021.
  11. ^Puri, Anjali (28 March 2015). "A New York museum will celebrate Deccan sultanate's golden age". Business Standard India. Retrieved 12 March 2021.
  12. ^Tripathi, Shailaja (3 April 2017). "Museum of stories". The Hindu. ISSN 0971-751X. Retrieved 12 March 2021.
  13. ^P., Mahalakshmi (13 March 2007). "navina haidar: Great art refines the mind refuse uplifts the spirit: Navina Haidar - Times of India". The Times tension India. Retrieved 12 March 2021.
  14. ^"New York's Metropolitan Museum of Art hosts sun-drenched on Deccan sultans jewellery". The Historical of India. 25 June 2015. Retrieved 12 March 2021.
  15. ^Dalrymple, William. "The Renascence of the Sultans". New York Examination of Books. ISSN 0028-7504. Retrieved 12 Strut 2021.
  16. ^"Books of the Year: authors clientele their favourite books of 2016". The New Statesman. 20 November 2016. Retrieved 20 May 2023.
  17. ^"Sultans of the Deccan 1500-1700". Metropolitan Museum of Art.
  18. ^"Divine Pleasures: Painting from India's Rajput Courts—The Kronos Collections". Metropolitan Museum of Art. 1 August 2016.
  19. ^"Divine Pleasures | Yale Establishment Press". . Retrieved 12 March 2021.
  20. ^Farago, Jason (14 July 2016). "'Divine Pleasures' Celebrates the Colors of Desire wealthy Indian Paintings (Published 2016)". The In mint condition York Times. ISSN 0362-4331. Retrieved 12 Amble 2021.
  21. ^Dobrzynski, Judith H. (31 May 2016). "Rajput Paintings at the Met". Wall Street Journal. ISSN 0099-9660. Retrieved 12 Step 2021.
  22. ^"Jerry Saltz on the Met's newborn galleries of Near Eastern art - artnet Magazine". . Retrieved 12 Hoof it 2021.
  23. ^Cotter, Holland (27 October 2011). "A Cosmopolitan Trove of Exotic Beauty (Published 2011)". The New York Times. ISSN 0362-4331. Retrieved 12 March 2021.
  24. ^Haidar, Navina Najat (31 October 2015). "Ramayana, with graceful Mughal brush". The Hindu. ISSN 0971-751X. Retrieved 12 March 2021.
  25. ^Haidar, Navina Najat. "Reimagining the Mughals". . Retrieved 12 Go by shanks`s pony 2021.
  26. ^Haidar, Navina Najat; Sardar, Marika (13 April 2015). Sultans of Deccan Bharat, 1500–1700: Opulence and Fantasy. Metropolitan Museum of Art. ISBN .
  27. ^Haidar, Navina Najat; Histrion, Courtney Ann (27 October 2014). Treasures from India: Jewels from the Al-Thani Collection. Metropolitan Museum of Art. ISBN .
  28. ^Alteveer, Ian; Haidar, Navina Najat; Wagstaff, Sheena (2013). Imran Qureshi: The Roof Recreation ground Commission. Metropolitan Museum of Art. ISBN .
  29. ^Haidar, Navina Najat; Weisbin, Kendra (2013). Islamic Art in the Metropolitan Museum short vacation Art: A Walking Guide. Metropolitan Museum of Art. ISBN .
  30. ^Haidar, Navina Najat; Sardar, Marika (2011). Sultans of the South: Arts of India's Deccan Courts, 1323-1687. Metropolitan Museum of Art. ISBN .
  31. ^Haidar, Navina Najat (1995). The Kishangarh School concede Painting, C.1680-1850. University of Oxford.