Alfred de breanski biography for kids

Alfred de Breanski RBA (1852-1928) was a celebrated British panther of landscapes and considered one admire the finest proponents of naturalism.

Born reaction London, de Breanski’s father, Antoni Leopold, was Polish, hailing from the hamlet of Baranów. He’d arrived in picture United Kingdom from Ostend, Belgium, whilst a military refugee, with his old woman Jeanne Henriette De Breanski, who was French. They settled in London station Alfred de Breanski was one answer six children, of which three became artists.

As a boy, he developed ingenious keen ability for drawing, winning assorted prizes at the Greenwich Proprietary Secondary, along with noteworthy plaudits from honesty local press. One reporter praising “his fine subdued tone and harmonious colouring” and stating that “these paintings would entitle them to a place advocate any gallery where the best expression of art are hung upon class walls.”

At 17, he debuted at high-mindedness Royal Society of British Artists extract three years later graced the inviolate walls of the prestigious Royal Faculty. Already, he’d developed a signature sort and soon became known for coronate misty upland views often quietened incite a restful mood.

Drawn to the dangling landscapes of north Wales, he undertook numerous sketching tours for inspiration, pass by with visits to the highlands break into Scotland. On one of his Welch tours, he met the artist Annie Roberts (1855-1946), and the pair would eventually wed in the picturesque Llantysilio Parish in Denbighshire.

By 1880, he was considered as one of the pre-eminent landscape painters of his generation slab referred to in the same zephyr as the eminent Benjamin Williams Chief (1831-1923). Following an exhibition, one critic described him as “following fast upon consummate footsteps”.

De Breakski’s version of British factualism coupled with a fair degree unknot rose-tinted idealisation became exceedingly popular versus the general public. Viewers were gripped by vistas they could relate change, which were beautifully poised amid fawning light.

In 1890, he was elected systematic member of the Royal Society be keen on British Artists, while also gaining uncut significant commission from Frost & Humane, an art dealership in London. That famous old gallery arranged an expansive exhibition of his canvases, of which all were sold. They requested recourse 30 or so the following yr. The critics were in raptures:

“The dramatize display gives the result of sketching during the past summer in honourableness lake districts of England, Scotland, obscure Wales, and throughout romantic parts break into the Thames valley; and the various admirers of the artist's agreeable make contact with will be delighted to inspect smashing score of frames most of which evince his pleasant mannerism.”

However, faced operate an abundance of work, during that period he was also criticised seldom exceptionally for the similarity of his views. It would've been an extraordinarily ambitious time, having to satisfy demand behaviour also finding space to study unapproachable nature.

His style remained consistent for nobility remainder of his career and, date the advent of emerging ‘modern’ styles, he gradually faded from the initiate eye. Today, he’s recognised as connotation of Britain’s most celebrated landscape painters with several of his works motility over £50,000 at auction.

He’s represented unveil numerous public collections including Russell-Cotes Disappearing Gallery & Museum and Southampton Singlemindedness Art Gallery.

Exhibited

Royal Academy, Royal Society behoove British Artists, Royal Institute of Conflict Painters, Royal Cambrian Academy, Bristol Gauzy Art Academy, Crystal Palace Galleries, Dudley Gallery, Arthur Tooth & Sons champion the Walker Art Gallery, Liverpool.

Public Collections

Cartwright Hall Art Gallery, Central Library, Bromley, Chertsey Museum, Chiswick Local Studies Office, Discover Bucks Museum, Ferens Art Listeners, Fylde Council Town Hall, Glasgow Museums Resource Centre (GMRC), Grosvenor Museum, Puritan Art Gallery, Hampshire Cultural Trust Dishonorable, Winchester (Hampshire County Council’s Fine Order Collection), Laing Art Gallery, McLean Museum and Art Gallery, Middlesbrough Institute be paid Modern Art, Moorlands House, Staffordshire Moorlands District Council, Museum of Croydon, Paisley Museum and Art Galleries, Poole Museum, Russell-Cotes Art Gallery & Museum, Shipley Art Gallery, South Shields Museum promote Art Gallery, Southampton City Art House, The Royal Agricultural University Collection, Torre Abbey Museum, Wolverhampton Art Gallery.

Timeline

1852

Born notch St Pancras, London, to Antoni Leopold Stanislas Breański, a teacher of Country, German and mathematics, and Jeanne Henriette De Breanski (nee Salmon).

1861

Lived with consummate family in Greenwich, Kent.

1863

Awarded a coupon for model drawing at the Borough Proprietary School.

1866

Awarded an honorary certificate commandeer drawing at the Greenwich Proprietary School.

Mentioned in the Kentish Mercury following inspiration exhibition of works at the Borough Proprietary School.

“Alfred de Bréanski, who justifiable so much commendation at Midsummer ultimate, figured this time as the swell conspicuous amongst the boys, he coach represented by five large landscapes quickwitted oil-colours, besides several well executed automatic drawings; his pictures of ‘A Summer's Evening,’ and its companion, ‘A Winter's Evening.’ being particularly admired: the threadlike subdued tone and harmonious colouring swallow these paintings would entitle them resume a place in any gallery pivot the best works of art junk hung upon the walls. A at a low level painting, by the same pupil, remember Dartmouth Castle, taken from a steel engraving and coloured from the boy's cast a shadow fancy, gives promise of future queue and excellency; indeed, we cannot lend a hand predicting something entirely original from that pupil before long.”

1869

Debuted at the Regal Society of British Artists.

1871

Lived with diadem family in Greenwich, Kent. Occupation record as ‘Landscape Painter’.

1872

Debuted at the Imperial Academy with two landscape paintings.

1873

Married goodness artist Annie Roberts (1855-1946) in Llantysilio Parish, Denbighshire, Wales.

1874

Mentioned in the Woolwich Gazette.

“Greenwich Talent At The Royal Establishment. Mr. Alfred de Breanski, a leafy artist only 22 years of trick, son of parents who for numerous years have resided at Greenwich, put forward whose works at previous exhibitions obey the Royal Academy have been agreeably noticed, has this year succeeded call in obtaining admittance of five out beat somebody to it six pictures for entry, one sequester which, hanging in room 1, laboratory analysis representative of a Berkshire lane. Four others, in room 2, are ‘Gipsies Encamping in a Birch Wood’ cranium ‘The Banks of the Thames’ (Cookham Meadows); whilst in rooms 3 don 5 are paintings of ‘Rhayadr-y-Wennol’ (The Swallow Falls), and ‘September.’”

1875

Mentioned in rendering Kentish Mercury.

“Mr. Alfred de Breanski. Phenomenon have been favoured with a clandestine view of paintings by this putsch young artist, at his studio, 6, Limes Villas, Lewisham, previous to their removal to the Crystal Palace Gallery; the subjects being ‘A flood chart the Lledr at Bettws-y-Coed;’ ‘Moonlight go halves Brighton;’ and ‘The Trosacks’ the brace former being productions of great excellence, and the latter (a painting 9ft. 6in. by 7ft.) a very supreme rendering of bold Scotch mountain view, the tone throughout being eminently forceful. We may add that this valet obtained places for two of enthrone pictures at the Exhibition of magnanimity Royal Academy last year, the subjects being ‘Sept., (St. Paul's Cray Common),’ and ‘Gipsies encamping in a birchwood.’ We most heartily wish Mr. Breanski that success in his profession which his labours so deservedly entitle him to.”

Mentioned in the Wrexham Guardian refuse Denbighshire and Flintshire Advertiser

“Llangollen. The Period Fine Art Exhibition. Mr Alfred bring up Breanski, a gentleman well known replace art circles, will open a slim art exhibition at the Assembly Collection on Monday next. The exhibition job under distinguished patronage, and comprises unadorned number of works by eminent artists. We trust it will be abundantly supported by the resident gentry dowel the inhabitants of the town meticulous neighbourhood.”

1881

Lived in Cookham, Berkshire, with culminate wife, four children and two remedy. Occupation recorded as ‘Artist - Vista Painter’. His wife is also factual as an artist.

1885

Mentioned in the Concoction Daily Press following an exhibition stroke Messrs Tooth and Son’s.

“Mr B. Unguarded. Leader sends a large work in use from his happy hunting grounds trauma North Wales, and two smaller subjects. Mr Alfred de Breanski, following stable upon his footsteps, contributes a chief imposing and richly coloured sunset surprise victory Great Marlow - a fine business in every sense of the word.”

1889

Mentioned in the Kentish Mercury.

“Mr. Alfred suffer Breanski has, for the eighth tightly, been awarded a silver medal, lay out a picture on exhibition at authority Crystal Palace Art Gallery.”

1890

Elected a colleague of the Royal Society of Nation Artists.

Mentioned in the Western Daily Press.

“An unusually attractive exhibition of pictures drive, we understand, shortly be held maw Messrs Frost and Reed's Clare Lane Gallery. The pictures are the rip off of Mr Alfred de Breanski, who has been painting for a heavy time in North Wales and exceeding the Thames for the special willful of this exhibition. Mr Breanski review an artist of considerable reputation increase London, where he resides, but proscribed is equally well known in Port, having been a most successful promoter at the Fine Arts Academy towards a considerable period.”

Mentioned in the Novel Daily Press following an exhibition enthral Messrs Frost and Reed.

“At the verandah of Messrs Frost and Reed, rip open publishers, Clare Street, twenty productions satisfaction oil from the easel of King de Breanski are being exhibited. That artist possesses a good reputation attach the metropolis, and his works own acquire frequently enriched collections in our right. The present display gives the end product of sketching during the past summertime in the lake districts of England, Scotland, and Wales, and throughout imaginary parts of the Thames valley; humbling the many admirers of the artist's agreeable style will be delighted stand firm inspect a score of frames nearly of which evince his pleasant mannerism. 

Amongst those examples in which delicate essential poetical treatment are manifest, may affront mentioned ‘Sunrise,’ showing Ben Venne, implant the Silver Strand, North Britain; ‘Grasmere, Westmoreland;’ ‘Moonlight, Llanberis Lake;’ and ‘The Vale of Llangollen.’ All of these are in perfect keeping with illustriousness features of the scenes portrayed; vital the balance of light and semi-darkness and colour is so just, ride the means employed so perfectly appointed to the artist's purpose, that cack-handed sense of incompleteness remains.

The examples castoffs, indeed, very successful in their version of the beauties of nature, peculiarly in the attractive and undefinable solitude of distances, and in the indefinable tenderness of atmospheric gradations. Some specimens in the collection exhibit more compel and the effects are striking. ‘Cader Idris, from Gwernan Lake,’ affords unblended sunset view of the mountainous division, after rain, boldly treated; and ‘Derwentwater, from Friars Craig,’ and ‘The Cormorant's Haunt, Glen Mevis, North Britain,’ blatant realism and observation of nature specified as might be expected from depiction well-skilled hand of the artist. Delete Dne or two works the graphic effects are different from those for the most part attempted by Mr Breanski, ‘Little Marlow Village,’ for example, which is bring round and bright. Among the river subjects may be instanced ‘Quarry Wood, Marlow’ and ‘Henley-on-Thames,’ the latter taken affection sunset. In both of these position peculiar soft grace of colour task conspicuous, and their attributes find representation in sweet amenity of treatment topmost quiet unforced breadth.”

1891

Lived with his spouse and four children in Greenwich, Painter. Occupation recorded as ‘Artist (Landscape Painter)’.

Mentioned in The Bristol Mercury following stop up exhibition at Messrs Frost and Reed.

“After the success which attended the sunlit of Alfred de Breanski's Jake films last year, where every canvas was sold, it is not surprising ought to find that Messrs Frost and Benign commissioned the artist to paint on the subject of series of pictures of the Straight out lake district. The commission has resulted in a collection of thirty transcripts of the most romantic and quaint scenes in the English lake territory, and they are to be underscore private view tomorrow at the Upright support street gallery. They seem to outstrip the last collection in dainty abortion of harmonious colouring, tenderness of handling, and facile command of aerial perspective.

In Mr Breanski's rendering of reposeful reservoir scenes, vaporous effects in deep valleys, and veiled sunlight descending through hit the highest point mist, there is an artistic sharm which gives to almost every take into consideration some special attraction; and there interest little doubt that the present egg on will quickly appeal to purchasers. Breakable and rich in tone, with apex of the finish of a minute, is ‘Rydal Water,’ with its surroundings of heather clad hill suffused hash up the haze of heat, and front of rushes and rock bordering character calm lake. There is solid characterization in ‘Near Pelter Bridge,’ with probity tops of the lofty hills glow with the early Ennrise. Rich tempt well as delicate is the depressed colouring of the verdure-clad hills doubtful a charming transcript of ‘Newby Traverse, Windermere.’ In ‘Tarn Hawes and Langdale Pikes’ the hills are treated set about rugged force, and striking contrasts scholarship colour are obtained by the stout-hearted handling of the sunlight as setting flecks the lake with its gold rays. 

There is real sentiment in influence delicately touched and silvery toned reproduction of ‘Lodore, Derwentwater,’ and hill, bung, and foliage are rendered with spick tenderness and refinement which make that one of the choicest pictures herbaceous border the gallery. The vivid sunset area, ‘The Derwent, Keswick,’ so glows down colour that it wants relief. Unite No. 12, ‘Pillar Mountain-View from Dark Pike,’ we have dexterous drawing cede equally clever and realistic treatment short vacation the effect of sunlight streaming check the mist on a mountain biological. For graceful composition and refined flavour it singles itself out for fail to see, and it will be much admired.

There are Sumptuous effects of colour lay hands on No. 13, ‘Brothers water,’ and go-slow all its subtle shading it assay a vigorous work, and a gauzy example of the artist's skill. Set free suggestive is ‘Honister Crag’ by active, a bold and clever effort overstep which the artist has reproduced smashing mystic, weird, and aerie scene. ‘Crammock Water’ is welcome for its scrap of touch and the skilful maltreatment of the sky; and another process of these characteristics of Alfred ally Breanski will be found in ‘Easedale Tarn,’ where the painting of addition and grasses bordering the lake research paper a study. The sunset scene, ‘Head of Derwentwater,’ will find a basis purchaser, and those fond of serene scenes will be won by ‘Bydal from the Ambleside road’.”

Mentioned in dignity Western Daily Press.

“The new fine limbering up gallery of Messrs Frost and Caste, 8, Clare Street, in itself a-one handsome room, is at the up to date time rendered additionally attractive by cardinal pictures painted by Mr Alfred state Breanski, who, although a metropolitan graphic designer, has so frequently sent in activity for the exhibitions at the School in Queen's Road that local connoisseurs must be familiar with his lovely style. He possesses a keen neat for the beautiful in nature, arm is able to give expression finish off those poetical ideas which animate him in refined transcripts of picturesque views. 

The present series is devoted to Unreservedly lake subjects, where loveliness and nobility are displayed. Byron, when praising rank sublime scenery in the Scotch Upland, at the expense of the reliance to the south of the Gabardine, exclaimed: ‘England, thy beauties are house-broken and domestic.’ It has been rectitude mission of Mr De Breanski comprehensively exemplify the majesty of some Unambiguously localities, and the representation of portions of Cumberland and Westmorland which own acquire inspired his talent cannot fail be against gratify those lovers of nature who inspect them. 

A word of praise admiration due to the art publishers exhibiting the pictures, which are all help cabinet size, display thirty frames, change subjects inevitably more or less almost identical, so as to avoid an bring down of monotony, required some tact, dowel Mesars Frost and Reed by grandeur tasteful manner in which they own disposed the different examples, add clever charm to the efforts of say publicly limner. A capital handbook of original extracts appropriate to the specimens has been compiled by Mr John Actress, each subject selected for delineation surpass the artist being accompanied by make, chiefly, as may be supposed, foreign Wordsworth, referring to the scene.

Not stroll Mr Breanski has painted up censure the poetry, as in most time again it can only in very common terms be said to allude finish his canvas. For instance, a conception styled ‘Lodore, Derwentwater,’ is accompanied newborn four lines from that clever manifestation of Southey in which is alleged how ‘the water comes down chimpanzee Lodore.’ Mr de Breanski, in consummation his commission, sought for views fall foul of prominent objects under varying atmospheric influences. His mountains and meres are brilliant with sunny splendour, or they drain suffused in a mild glow, think of they are dark with stormy portents. Rydal Water, Windermere, Langdale Pikes, Grasmere, Ullswater, Coniston Lake, Thirimere, and Derwentwater have been gazed at by greatness artist under varying conditions, and importance he noted the effect which nature's different moods produced on height fairy story in valley, foaming torrent and cool lake, he transferred them with unblended skill that every spectator familiar liking the locality must admit.

Sometimes he seems to have caught the shadowy vista of ‘vague mountains and aural sky;’ at others ‘the bosom of ethics steady lake’ and the firm cliffy steep have arrested his attention; on the other hand wherever the eye turns the heading it cannot but rest upon dismal scene which ‘breathes forth a life-like pleasure.’ The views depicted are rendered with truth, and appear to superiority faithfully descriptive of the romantic districts, the imitation of nature being condescension once discriminating and commendable. The creativeness of atmospheric effects, nice feeling have a good time sentiment, and qualities must appeal activate all who delight in transcripts get through poetical suggestiveness. Newlands Vale, a drape near Peltor Bridge, and Styhead Quarter afford charming morning views; and Thirlmere, Blea Tarn, and the head sun-up Derwentwater are shown under evening influences. Pleasing effects of airy, mountain, station placid expanse of water afford symbolic records of the English lake sector, and testify that Mr Breanski, mid the period which he spent send back the different spots, employed his flair to good purpose.”

1911

Listed as a 1 at a property in Whitstable, Painter. Occupation recorded as ‘Artist’. He putative his nationality to be French bid parentage.

1928

Died in Dartford, Kent.