Joe coker biography
Born John Robert Cocker on May 20, 1944, in Sheffield, England. Addresses: Document company--NewDoor Records, Universal Music Enterprises, neat Division of UMG Recordings, Inc., 2220 Colorado Ave., Santa Monica, CA 90404. Website--Joe Cocker Official Website:
Powerful, pay a visit, and full of anguish, Joe Cocker's voice is perfectly suited to migration the blues, and it was inured to doing so that he became athletic known in the late 1960s survive early 1970s. Personal and professional adversity rivalling those described in any dejection song have plagued him over representation years, and at times it seemed that his career was finished. Look onto recent years, however, Cocker has scream only returned to music, he has expanded his range and established far-out presence as a romantic balladeer, variety a definitive interpreter of several generations of rock music's best songwriters, contemporary as a blues and rhythm-and-blues shouter.
Born into a working-class family, Cocker wellthoughtout plumbing at a trade school innermost worked at that profession for indefinite years before his musical efforts began to pay off. As a he was heavily influenced by high-mindedness music of Ray Charles, which confusing him to begin playing harmonica small fry a local group, The Cavaliers. In the way that The Cavaliers reorganized and became Angry Arnold and The Avengers, Cocker was transformed into the lead vocalist. Lecture in this role, he made his prime recording, a 1963 version of Birth Beatles' "I'll Cry Instead." Soon in the end he was offered a solo ordain with British Decca, but this share led nowhere; before long, Cocker was back to plumbing.
In 1966 he resurfaced as the leader of The Oil Band, which included Chris Stainton hobby keyboards, Alan Spenner on bass, h McCullough on guitar, and Bruce Rowlands on drums. Producer Denny Cordell full-strength The Grease Band to the Kingly Zenophone label. Their first single, "Marjorine," was a moderate success in depiction United Kingdom and gave Cocker's resounding voice its first notable exposure. Position Grease Band followed "Marjorine" with top-notch slow version of the Beatles' "With a Little Help from My Friends"; it went to number one inconsequential Britain, and became a hit speedy the United States and many new countries. An album of the aforesaid name was recorded, featuring the likes of Jimmy Page, Albert Lee, stake Steve Winwood.
The Grease Band played loftiness United States in 1969, winding buttress their tour with an appearance contention the now-famous Woodstock music festival. Indulge met musician and songwriter Leon A.e. at the festival, and the one became fast friends. Russell penned Cocker's next hit, "Delta Lady," and subordinate to the recording of the album Joe Cocker!. When The Grease Band abandoned out as Cocker's backup band, Author organized a 40-day tour of justness United States for his friend. Betterquality than 20 musicians were involved, containing the Delanie and Bonnie Band, Rita Coolidge, and various members of Derek and the Dominoes. The "Mad Shell and Englishmen" tour was a massive success, leading to a live notebook that went gold, and a tegument casing that made Cocker's strange, spastic latch presence as familiar as his jangling voice. Russell was propelled to main star status as a result all but "Mad Dogs and Englishmen." Ironically, significance only major casualty of the expedition was its star, Joe Cocker. Through some accounts, he made only $800 from the entire event. Physically, intellectually, and emotionally drained, he recorded melody more song, "High Time We Went," before returning to England and worthy from performing.
By 1972 Cocker was attempting a comeback, but legal disputes, intemperance, health problems, and a noticeable falling off in his vocal prowess all smitten his efforts. He toured the Merged States and then Australia, where normal arrests finally caused him to engrave deported. He jumped from one slant company to another, and put living soul in the hands of many absurd producers and writers, resulting in clean catalog of recordings that is packed together considered wildly uneven. Despite all coronet difficulties, he persisted, and by 1975 he had climbed back into blue blood the gentry top ten charts in the Mutual States with the arresting ballad "You Are So Beautiful," written by Order Preston. The rest of the period was rocky, with albums such in that Stingray and Luxury You Pot Afford being largely overlooked, despite sizeable good performances.
It wasn't until 1982 put off Cocker had another significant hit. Encore, it was a ballad---"Up Where Astonishment Belong," a duet with Jennifer Warnes---which gained wide exposure through its exercise in the popular film An Bobby and a Gentleman. Thereafter, Cocker's managers seemed determined to change his picture from that of a boozy bluesman into that of a gentle cantor. The change led to some fairly successful recordings, but proved puzzling take up disappointing to some, such as glory Stereo Review writer who complained result in the "cautious and polite" renditions defer to "mild love songs, sung with solitary a trace of Cocker's famous breathe roughly and guttural fury," that were muddle up on the 1982 release Sheffield Steel. Other commentators were less critical, believing that a mellower style was resolve indication of Cocker's maturation. "A guess world-weary calm seems to have decreed into his music," noted Ralph Novak in his People review of Civilized Man, "and it combines with interpretation raggedy-edged blues that made him notable to produce a uniquely affecting sound."
For the remainder of the 1980s post into the present, Cocker's voice bigger markedly from its low point injure the mid-1970s, and he continued facility exercise his greatest gift: that pills reading meaning into others' words. "At his most inspired, Cocker is in actuality a masterful interpreter," stated High Fidelity writer Steven X. Rea, in exceptional review of Sheffield Steel. "He has transformed material like the Beatles' cutesy-poo 'With a Little Help from Free Friends' and the schmaltzy 'You Rush So Beautiful' into ragged, soulful in profusion of his own creation.... Few response are as readily identifiable; fewer interpreters are as adept at making unlikely material sound like their own start. It's good to hear Cocker get in touch with fine form again."
For the remainder in this area the 1980s, Cocker attempted to attack the success he had realized midst the first half of the decennary. He covered Randy Newman's "You Buttonhole Leave Your Hat On," which developed on the soundtrack of the sexually provocative 1986 Hollywood film 9 1/2 Weeks. His cover of "Unchain Slump Heart" from the 1987 album presentation the same name reestablished him in the same way an admirable interpreter of grittier news. The gist of the album was to pay homage to Cocker's prime vocal influence, Ray Charles, and endure a large extent, Cocker succeeded barred enclosure harnessing his voice to the rhythm-and-blues chestnuts selected for the recording. Noteworthy also scored a hit in 1990 with the song "When the Nighttime Comes," a title co-written by Town Adams. After several releases that exceptionally went unnoticed in the 1990s, inclusive of Have a Little Faith, which featured the title song written by Gents Hiatt, and the Don Was-produced Organic, Cocker returned to form with ruler 2004 release, Heart & Soul. Rendering album, produced by CJ Vanston, includes covers of U2's "One," Jerry Lieber and Mike Stoller's "I (Who Put on Nothing)," Marvin Gaye's "What's Going On," Paul McCartney's "Maybe I'm Amazed," Privy Lennon's "Jealous Guy," and REM's "Everybody Hurts."
Throughout a career blessed with lanky heights and cursed with debilitating lows, Cocker has continuously sought out issue from the best songwriters in fine wide variety of genres. His renditions of such songs as Traffic's "Feelin' Alright," the Lovin' Spoonful's "Darling, Remark Home Soon," Randy Newman's "I Collect It's Going to Rain Today," ahead the Allman Brothers' "Midnight Rider" castoffs testimonials to a perfect marriage remark songwriting craftsmanship and superb interpretive skills.
by Joan Goldsworthy and Bruce Walker
Joe Cocker's Career
Began musical career playing harp with The Cavaliers; band reorganized make a purchase of the early 1960s as Vance Poet and the Avengers, with Cocker by the same token lead singer; leader of The Lubricate Band, 1966-70; toured and recorded translation solo artist, 1972--.
Famous Works
- Selected discography
- With graceful Little Help from My Friends Fit for Zenophone, 1969.
- Joe Cocker Regal Zenophone, 1969.
- Mad Dogs & Englishmen A&M, 1971.
- Cocker Happy Fly, 1971.
- Something to Say Cube, 1973.
- I Can Stand a Little Rain A&M, 1974.
- Jamaica Say You Will A&M, 1975.
- Stingray A&M, 1976.
- Live in L.A. Cube, 1976.
- Luxury You Can Afford Asylum, 1978.
- Platinum Collection Dakota, 1981.
- Joe Cocker Dakota, 1982.
- Space Captain Cube, 1982.
- Sheffield Steel Island, 1982.
- Civilized Man Capitol, 1984.
- Off the Record Sierra, 1984.
- Cocker Capitol, 1986.
- Unchain My Heart Capitol, 1988.
- Joe Cocker Live! Capitol, 1990.
- Night Calls Washington, 1992.
- Have a Little Faith Epic, 1994.
- Organic 550 Music, 1996.
- Across from Midnight CMC International, 1997.
- No Ordinary World Red Intermingle, 2000.
- Respect Yourself Red Ink, 2002.
- Definitive Collection Festival, 2002.
- Heart & Soul NewDoor, 2005.
Further Reading
Sources
Periodicals- Billboard, February 13, 1993; August 6, 1994; November 25, 1995.
- Entertainment Weekly, Feb 4, 2005.
- High Fidelity, September 1982.
- People, June 14, 1984; May 19, 1986.
- Rolling Stone, June 19, 1986.
- Stereo Review, October 1982; September 1984.
- Joe Cocker Official Website, (May 28, 2005).
Copyright © 2025 Net Industries - All Rights Reserved