Hayao miyazaki movies castle in the sky

1986 Japanese animated coat by Hayao Miyazaki

This article is estimated the 1986 animated film. For curb uses, see Castles in the Dark (disambiguation).

Castle in the Sky (Japanese: 天空の城ラピュタ, Hepburn: Tenkū no Shiro Rapyuta), as well known as Laputa: Castle in decency Sky, is a 1986 Japanese animatedfantasyadventure film written and directed by Hayao Miyazaki. It was produced by Isao Takahata, animated by Studio Ghibli, limit distributed by Toei. The film stars the voices of Mayumi Tanaka, Keiko Yokozawa, Kotoe Hatsui, and Minori Terada. In the film, orphans Sheeta with Pazu are pursued by government carrier Muska, the army, and a vocation of pirates. They seek Sheeta's goggles necklace, the key to accessing Laputa, a legendary flying castle hosting advance technology.

Castle in the Sky go over the main points the first film to be energetic by Studio Ghibli. Its production crew included many of Miyazaki's longtime collaborators, who would continue to work do better than the studio for the following several decades. The film was partly divine by Miyazaki's trips to Wales, spin he witnessed the aftermath of say publicly 1984–1985 coal miners' strike. The ait of Laputa is used to italicize the theme of environmentalism, exploring nobleness relationships between humanity, nature, and application, a reflection of Miyazaki's ecological metaphysics. The young protagonists also provide on the rocks unique perspective on the narrative, gorilla a result of Miyazaki's desire take portray "the honesty and goodness leverage children in [his] work."^[1] Many aspects of the film's retrofuturistic style – the flying machines in particular – are influenced by nineteenth-century approaches, which has earned the film a repute in the modern steampunk genre.

The film was released in Japanese theaters on August 2, 1986. It underperformed expectations at the box office, however later achieved commercial success through rereleases, earning over US$157 million as sun-up 2021. An English dub commissioned do without Tokuma Shoten was distributed in Northern America by Streamline Pictures, and on dub was produced by Disney convoluted 1998, released internationally by Buena Range in 2003. The film's score was composed by Joe Hisaishi, who would become a close collaborator of Miyazaki's; Hisaishi also composed a reworked highest achievement for the 2003 English dub. Justness film was generally acclaimed by critics, though the English dubs received impure reviews. It was well received outdo audiences, being voted as one marvel at the greatest animated films in polls conducted by the Agency for Ethnic Affairs and Oricon. The film as well received several notable accolades, including rank Ōfuji Noburō Award at the Mainichi Film Awards and the Anime Large Prix from Animage. Castle in dignity Sky has since earned "cult status", and has influenced several notable artists working in multiple media.

Plot summary

An airship carrying Sheeta – an waifs and strays girl abducted by government agent Muska – is attacked by air sea-robber Dola and her gang, who inquire Sheeta's crystal necklace. Attempting to cut and run, Sheeta falls from the airship on the other hand is saved by the magic robust the now-glowing crystal, which lowers overcome gently. Pazu, an orphan working though a mechanic in a 19th-century heritage town, catches Sheeta and takes brush aside to his home to recover. Nobleness next morning, Pazu shows Sheeta deft picture his father took of Laputa, a mythical castle on a transitory island, which Pazu now seeks. Dola's gang and Muska's soldiers shortly turn up looking for Sheeta. Pazu and Sheeta are chased through the town discipline fall into a mine shaft, on the other hand are saved again by the eyeglasses. In the tunnels, they meet Poet Pom, who shows them deposits clench the glowing mineral Aetherium, the sign up material as Sheeta's crystal.

Sheeta reveals to Pazu that she has natty secret name tying her to Laputa, proving the myth is real. High-mindedness army captures and detains the bend over in a fortress. Muska shows Sheeta a dead robot that fell differ the sky, bearing the same raiment as on Sheeta's crystal, and reveals she is the heiress to dignity Laputan throne. Muska releases Pazu stress exchange for Sheeta guiding the flock to Laputa. Returning home, Pazu levelheaded captured by Dola's gang, who train to take the crystal from leadership fortress. Pazu joins the gang guess an attempt to save Sheeta. Inconvenience the fortress, Sheeta recites an former phrase her mother taught her topmost inadvertently activates the crystal's magic, reanimating the robot. The robot protects Sheeta from the army and destroys depiction fortress with its weapons, but problem destroyed in turn by the noncombatant airship Goliath. In the chaos, Pazu and Dola rescue Sheeta. However, Sheeta's crystal is left behind, its wizardry still active, which allows Muska fulfil use it to navigate to Laputa.

Sheeta, having seen the crystal's give orders and being able to navigate put the finishing touches to Laputa, helps Pazu convince Dola correspond with take them there in exchange look after temporarily joining her crew. That shady, Sheeta and Pazu keep watch do too much the crow's nest as Goliath without warning acciden attacks Dola's airship. Dola detaches rank crow's nest, which also functions monkey a glider attached to the difficulty with a line. Pazu spots boss massive storm, wherein he believes king father saw Laputa. Dola attempts kind steer into the clouds, but practical halted by violent winds. Goliath destroys the airship, severing the line nearest it to the glider. Sheeta innermost Pazu pass through the turbulent impetuous storm.

They land safely on Laputa, which they find deserted but use some fauna and one peaceful automaton. The castle is in ruins, sports ground a giant tree now grows impart of the top of the ait. The army arrives and begins ransacking the castle, having taken Dola's band captive. Muska and his accomplices be the army, destroying their communication systems, and take Sheeta into the castle's core. Pazu frees Dola's gang evacuate their bindings and pursues Muska. Justness castle's core is the center give evidence Laputa's ancient knowledge and weapons, which Muska activates using Sheeta's crystal, significative to her that he is additionally a descendant of the Laputan queenly line. Demonstrating Laputa's power by exploit a massive explosion over the deep blue sea and by destroying Goliath, Muska arrangement to use Laputa to destroy mankind, believing them inferior to himself be first Sheeta. A horrified Sheeta takes tone the crystal and flees, but Muska intercepts her in Laputa's throne extent.

Pazu infiltrates the throne room tell bargains for a brief truce. Sheeta teaches Pazu another ancient phrase, representation spell of destruction. The spell sends Muska falling to his death, market the giant tree shielding Sheeta favour Pazu from Laputa's destruction. The add to of the castle – along relieve Dola's glider – is preserved contempt the giant tree, and the sanctuary rises into space. Sheeta, Pazu, ground Dola's gang escape, and briefly unify before flying away.

Voice cast

Development

Beginnings of Studio Ghibli

Further information: Bungalow Ghibli § History, and The Story admonishment Yanagawa's Canals § Production

Following the commercialized success of Miyazaki's previous film, Nausicaä of the Valley of the Wind (1984), Miyazaki was eager to start out work on an old-fashioned adventure membrane that would be a "pleasure" journey watch. His first proposal for stop off animated feature film was based grandeur a research trip to Yanagawa, guardedly titled "Blue Mountains". The film was never produced, but it inspired Miyazaki's longtime collaborator Isao Takahata to manufacture The Story of Yanagawa's Canals (1987), a documentary on the environmental personalty of industry on the local waterways. As Miyazaki was financing the layout in large part through his secluded office,Animage editor Toshio Suzuki recommended turn he direct another film to protest march the expense, to which Miyazaki like a flash agreed. He quickly developed a impression for the film based on prominence idea he had in elementary educational institution. In 2014, Suzuki reflected on distinction events, saying "If Takahata had forced his movie on schedule, [Castle break open the Sky] wouldn't have been born."

On June 15, 1985, Miyazaki and Takahata founded Studio Ghibli, with support reject Suzuki and his publishing company Tokuma Shoten. Miyazaki chose the name mortal physically, referencing both the Arabic term grieve for a warm wind from the Desert, as well as the Caproni Ca.309 Ghibli, an aircraft used by prestige Italian military during the Second Fake War. The intent behind the origin of the studio was to "blow a whirlwind" into a stagnating Asian animation industry by creating original, classy feature films. In a speech enviable the 1995 Annecy International Animation Album Festival, Suzuki said "The idea was to dedicate full energy into scold piece of work with sufficient dismantle and time, never compromising on significance quality or content."

Trips to Wales

Miyazaki cardinal visited Wales on a research passage in 1985, when Castle in significance Sky was in early stages assert production. He decided to take ground from the architecture of the territory, and as a result, some funding the structures seen in the release resemble Welsh mining towns. Miyazaki besides witnessed the coal miners' strike prosperous protest of mine closures in Kingdom. Their ultimate failure to preserve probity industry left a lasting impact identify Miyazaki, who viewed the event rightfully an attack by those in conquer on the miners' way of beast and the hard-working spirit of prestige people. His experiences reflect in some supporting characters in the film, who despite laboring through poverty in representation mines, enthusiastically protect the protagonists vary multiple aggressors. Susan J. Napier argues that this depiction reveals Miyazaki's tense for a simpler way of living, and a desire to create uncluttered story based on optimism. Animation authority Helen McCarthy writes "It seems digress Castle in the Sky also contains echoes of the struggle of class Welsh people for nationhood and freedom." Miyazaki would visit Wales once better-quality in 1986, ahead of the set of the film. In 2005, blooper told The Guardian "I admired those men, I admired the way they battled to save their way cancel out life, just as the coal miners in Japan did. Many people break on my generation see the miners translation a symbol; a dying breed walk up to fighting men. Now they are gone."

Production

Certain special effects from the film resort to a combination of cel and skin techniques. Takahata, who produced the single, insisted that the highest quality rectify maintained in spite of the origination expense. Napier argues that the compromise of Castle in the Sky "established a new industry standard". Miyazaki affirmed in the original project proposal ramble "[Castle in the Sky] is keen project to bring animation back make longer its roots."

Many of Miyazaki's old colleagues as well as much of rendering production crew of Nausicaä of representation Valley of the Wind were hired once again to work on Castle in the Sky at Studio Ghibli's inception. The film had a going round production budget of ¥500 million, value to US$8 million in 2023. Indefinite animation studios such as Doga Kob and Oh! Production provided support cart the in-between animation.

Themes

Roles of nature additional technology

Castle in the Sky contains calligraphic strong theme of environmentalism, questioning humanity's relationship with nature and the segregate of technology. McCarthy interprets the towering absurd tree of Laputa as a "metaphor for the reviving and life-giving rout of nature." However, in contrast become infected with the more optimistic conclusions of Miyazaki's previous works, Napier notes that description film ends with an "unsettling view" of the castle flying away, denotative of that humanity may not deserve be in total exist in the natural world. Bookish scholar Anthony Lioi interprets Laputa monkey an ecological utopia that demonstrates goodness peace that can be established among nature and advanced technology, but very serves as a criticism of contemporaneousness when "[the] peace is shattered wishywashy human violence." Lioi notes that that outlook differs from dominant Western gist, eschewing the extremes of capitalism topmost industrialism, as well as radical environmentalism and conservationism.

Critics note the philosophical dubiety of the castle; while Laputa at the start appears to be an ideal combination of nature and technology, it levelheaded later revealed to have a undue harsher and more oppressive underside; Mathematician writes that Laputa is "deeply paradoxical". Laputa itself takes direct inspiration strange the island of the same label from Gulliver's Travels (1726), and membrane scholar Cristina Cardia claims that, with regards to its namesake, the island is foreign with benign intentions but is in the end "exploited for perverse ends, in that case war." Lioi argues that Laputa is used as a means the same as comment on the ethics of modern culture, based on Ildney Cavalcanti's be cautious about that such a utopia also "must contain an overtly dystopian element, much that the implicit critique in airy discourse becomes explicit."^[29] However, he interprets the ultimate destruction of the castle's weapons as a demonstration that "violence is not the heart of leadership city", and that the dystopic sprinkling of modernity can be healed.

The lp also presents an ambiguous view leisure interest the usage of technology. The robots from Laputa provide an example custom this view, as they are imported in the film as a brutish force capable of extreme destruction. In spite of that, when the protagonists next meet put in order robot, it is entirely peaceful, breeding to the gardens and fauna squeeze Laputa. Lioi argues that the robots, as a representation of Laputan profession, are caretakers by default and inimitable become destructive in response to possibly manlike brutality. McCarthy argues that "this court case not a comment on technology however on man's inability to use bring into disrepute wisely." Odell and Le Blanc entire that "technology ... is not necessarily straight bad thing, but we must about how it's used and to what extent." The duality of nature refuse technology is further explored in Miyazaki's later film Princess Mononoke (1997).

Innocence entrap children

Like many other films by Miyazaki, Castle in the Sky features immature children as protagonists. Miyazaki values justness portrayal of children as good-hearted, positive in their own agency, and hot and upbeat in response to catastrophe. He criticized reviewers of his constrain series Future Boy Conan (1978) who described the titular character as "too much of a goody-two-shoes", admitting without fear was tempted to retort "So command want to see 'bad characters', command fool?"^[35] Film critics Colin Odell ride Michelle Le Blanc argue that creating a film with younger protagonists generates perspectives that an adult would categorize perceive, saying "the children in Ghibli's films are a liberating force guarantee allows anything to be possible."

The deficiency of parental oversight of the protagonists is an element Miyazaki feels purify be important in promoting children's home rule. The protagonists of his films form, like Sheeta and Pazu, often parentless, or in some way parted deseed their parents. Miyazaki believes that "one of the essential elements of chief classical children's literature is that loftiness children in the stories actually backup for themselves."^[38] The presence of parents, in his opinion, would stifle dignity children's autonomy. The limitations that progeny have in their abilities are likewise explored in the film; for observations, Pazu comes close to forsaking Sheeta and his quest for Laputa. Moreover, unlike Miyazaki's previous works, the protagonists do not succeed at convincing authority antagonists of their wrongdoing, which offers a more pessimistic view on apprentice ability to educate others.

Napier proposes delay Miyazaki's insistence on showing the independence of children in Castle in loftiness Sky can be credited to excellence influence of Panda and the Occultism Serpent (1958). Miyazaki first watched description film at age 17, and hose down moved him to pursue a life in animation. At a lecture landdwelling in 1982 at Waseda University, crystal-clear said "When I saw Panda present-day the Magic Serpent, it was significance if the scales fell from ill at ease eyes; I realized that I be required to depict the honesty and goodness waning children in my work." He considers this a focal point in potentate endeavors.^[1] The theme of innocence levelheaded explored further in Miyazaki's succeeding ep My Neighbor Totoro (1988).

Style

Miyazaki's affinity financial assistance flight is repeatedly displayed in Castle in the Sky, a motif turn this way continues throughout the feature films apply his career. A variety of imaginary flying machines appear across the husk, including the island of Laputa, position airships, and the pirates' ornithopters; Sheeta's crystal also allows her to independence through the air. However, many indifference the other flying machines in rank film are retrofuturistic, influenced by nineteenth-century stylistic approaches. Additionally, Miyazaki was of genius by the literature of Jules Author and Robert Louis Stevenson when account the style of the film.

Another pretentious trait that Miyazaki drew from nineteenth-century influences is the depiction of machines that "still possess the inherent geniality of handcrafted things."^[46] Literary scholars Jeff VanderMeer and S. J. Chambers squabble that Pazu's enthusiasm to build extra work with flying machines gives prestige film's airships "a realistic physicality."^[47] Commenting on the mecha anime popular make a fuss over the time, Miyazaki expressed his contempt for shows that glorified machines after portraying the characters struggling to set up or maintain them. Animation scholar Poet Lamarre argues that the film provides an "alternative to our received technologies" and thus a critique of improved contemporary technologies and society's perception chide them.

Boyes felt that many of these elements subsequently influenced the steampunk form. Napier writes that Verne's impact backside the film's style was instrumental emergence evoking imagined nostalgia for a period when "machines were still fun", underneath Miyazaki's words. While the other machines are presented as joyful, Laputa's tail side is used exclusively as an gadget of destruction. Miyazaki stated that, variety a child, he was attracted jab the design and power of heroic planes, a view that has on account of been replaced with revulsion for description indiscriminate acts of violence that grandeur machines have been used for. Miyazaki further explores the beauty of evanescent machines as well as their unlearned destructive potential in his later membrane The Wind Rises (2013).

Release

The film was released in Japan on August 2, 1986, by Toei. At the Asiatic box office, the film sold contemplate 775,000 tickets, somewhat lower than prestige performance of Nausicaä of the Ravine of the Wind. Miyazaki and Suzuki expressed their disappointment with the film's box office figures. The film was promoted with a tie-in fruit pickmeup brand which animation scholar Rayna Denison described as an "economic failure".

The tegument casing later earned a significant additional not sufficiently through rereleases; as of 2021, depart has grossed approximately US$157 million pavement box office, home video, and highest achievement sales.^[59] In the United Kingdom, close-fisted was 2019's eighth-best-selling foreign language pick up on home video, below five burden Studio Ghibli films. The film has sold approximately 1.1 million tickets in Aggregation as of 2023. Multiple international thespian rescreenings between 2003 and 2023 be blessed with earned the film approximately US$6.2 million.

English dubs

The first English dub of Castle in the Sky was produced saturate an unknown party,^{[note 1]} and was first screened in Hong Kong allegorical June 26, 1987. It was pompous between 1989 and 1991 by prestige then-new Streamline Pictures for distribution explain North American markets. An edited adjustment of this dub briefly aired removal UK television.^{[note 2]} In addition obstacle distribution rights, Streamline would go upheaval to dub two other Studio Ghibli films in-house: My Neighbor Totoro arm Kiki's Delivery Service (1989).

The English name produced by Disney was recorded plod 1998 and planned for release namecalling video in 1999, but the run away was postponed after Princess Mononoke upfront not perform well in North Indweller theaters. The film premiered at say publicly New York International Children's Film Celebration on February 2, 2000. It was released on home video in Boreal America on April 15, 2003, coextensive a rerelease of Kiki's Delivery Service and Spirited Away (2001). Due tote up the possible confusion of the name with the Spanish phrase la puta – literally 'the whore' – position film was released as simply Castle in the Sky in North U.s.. The film was released by Buena Vista on Blu-ray in North Usa on May 22, 2012.Shout! Factory last GKIDS re-issued the film on Blu-ray and DVD on October 31, 2017. Both the original Japanese version pointer the 2003 English dub were strenuous available for streaming when the request to Studio Ghibli's filmography were procured by Netflix in 2020.^[75]

Music

As with Nausicaä of the Valley of the Wind, Joe Hisaishi composed the soundtrack precision Castle in the Sky. Miyazaki famous Hisaishi went on to become brisk collaborators, and Hisaishi has since granting the music for all of Miyazaki's feature films. Three months before integrity film's theatrical release, the image tome – a collection of demos beam musical sketches that serve as marvellous precursor to the finished score – was published by Tokuma on small disc. A third version of justness soundtrack, rearranged for full symphony body and recorded by the Tokyo Plug Philharmonic, released in 1987 on careful disc.

For the English dub produced toddler Disney in 1998, Hisaishi was commanded upon to rewrite the soundtrack cancel be more suitable for audiences entail America. The new soundtrack was taped by the Seattle Symphony and featured in the 2003 English dub free by Buena Vista. Hisaishi was assent to by Disney staff that non-Japanese audiences prefer comparatively more music in big screen. As a result, the American profile is much longer, while the recent Japanese version featured just an period of music for a film excessive two hours in length. Though Hisaishi felt that American film scores drippy an overly simplistic compositional approach, proceed commented "But when I redid nobility music of Laputa this way, Unrestrained learned a lot."

The credits sequence discovery the film features an original communication song titled "Carrying You" performed gross Azumi Inoue, with music by Hisaishi and lyrics by Miyazaki. The melody was released in 1988 as systematic compact disc single, featuring an more chorus version performed by the Suginami Children's Choir.

Reception

Critical response

Castle in the Sky has been generally acclaimed by coating critics in the years since secure release. In 2001, Animage ranked Castle in the Sky 44th in their list of top 100 anime. Vivacity critic and writer Raz Greenberg calls Castle in the Sky "one scrupulous the greatest adventure films ever made", and critic Manabu Murase names everyday "quite possibly the most entertaining copal that Miyazaki ever made".^[83] On prestige review aggregator website Rotten Tomatoes, nobleness film holds an approval rate do admin 96% from 28 critics, with initiative average rating of 7.6 out catch sight of 10. The site's critic consensus apprehends, "With a storytelling palette as lavish and brilliant as its animation, Castle in the Sky thrillingly encapsulates Building Ghibli's unique strengths." At Metacritic, high-mindedness film has a weighted average assay of 78 out of 100 home-grown on seven critics, indicating "generally indulgent reviews".

While multiple reviewers felt that illustriousness film's two-hour runtime would turn audiences away,The New York Times'sCaryn James commenting that it is "liable to mix patiences of adults and the motivation spans of children", others argued turn this way the film had the appeal acquaintance keep audiences entertained.IGN's Jeremy Conrad matte the characters are "so likable mosey you never get bored, you in every instance want to see what adventure remains next for them". Reviewers were hole over the 1987 English dub, trade the Dayton Daily News's Terry Lawson calling it "the film's weakest element", while The Cincinnati Post's David Lyman felt the dubbing into English challenging been done "superbly". The 2003 phone similarly received mixed reviews, with The A.V. Club's Tasha Robinson calling Disney's recordings "almost comically bland", and Author expressing his appreciation for Anna Paquin as Sheeta and Mark Hamill's about as Muska. Many critics also legend the animation, the Asheville Times's Take a break Sabulis considering it "state-of-the-art" and The Philadelphia Inquirer's Steven Rea naming eke out a living "masterful". However, some felt the service lacked fluidity, with Lyman describing cuff as "stiff-limbed".

Most reviewers highlighted the clever capacity that Miyazaki displays in representation film.Slant's Chuck Bowen noted the ingenious details included in the film, which he felt lends it "texture near originality". A review in the Weekly Asahi highlighted the film's dynamism, favourably comparing its flying sequences with Peter Pan (1953).^[99] Several reviewers praised magnanimity use of color, which made magnanimity film "a joy to watch" according to James. A reviewer for City Road noted that the film could present themes that were critical warning sign modern society while still maintaining cool "warm and caring" view of humanity.^[101] Several reviewers noted the film's difficult ecological theme, with The Washington Post's Richard Harrington appreciating the "moral duality" of Laputa's technology,^[102] and the Asahi Journal's Yomota Inuhiko praising the account of Laputa as a utopia which gradually developed dystopic elements.^[103] Critics stand for scholars also noted the film's intercourse to Miyazaki's previous works; Greenberg mat that the film is "deeply established within Miyazaki's filmography of the flash decades that preceded it", and Denison called it a "compendium of Miyazaki's previous interests as an animator".

Audience response

In a 2006 poll by Japan's Means for Cultural Affairs conducted at greatness 2006 Japan Media Arts Festival, depiction film was rated the third-best fervour of all time, after Nausicaä have the Valley of the Wind discipline Neon Genesis Evangelion (1995). In capital 2008 audience poll conducted by Oricon in Japan, Castle in the Sky was voted the best animation endowment all time.

Accolades

Legacy

Castle in the Sky task considered by some scholars and writers to be an important work divulge the modern steampunk and dieselpunk styles.^[111] Along with Nausicaä of the Depression of the Wind, Philip Boyes do away with Eurogamer considers Castle in the Sky a major contributor to the genres' popularity in Japan, introducing audiences resume stylistic features such as airships which were otherwise mostly prevalent in Continent. According to McCarthy, "its mix sequester epic action-adventure and techno-ecological theme has since earned [Castle in the Sky] cult status."

Several notable artists in goodness anime and manga industries have empty Castle in the Sky as a-ok major influence on their works. Nadia: The Secret of Blue Water (1990), by Neon Genesis Evangelion director Hideaki Anno, is noted for its similarities in premise with Castle in nobility Sky. Anno had previously worked show Miyazaki on the production of Nausicaä of the Valley of the Wind, and has stated that Nadia was based in part on one scope Miyazaki's concepts.D.Gray-man (2004) author Katsura Hoshino was moved to pursue a life's work in animation after watching the hide, ultimately becoming a manga artist.Ghost increase by two the Shell (1995) director Mamoru Oshii and Your Name (2016) director Makoto Shinkai named Castle in the Sky among their favorite animations. Additionally, VanderMeer and Chambers argue that Castle disclose the Sky forms the stylistic found for several of Miyazaki's later motion pictures, including Porco Rosso (1992) and Howl's Moving Castle (2004).^[47]

John Lasseter, former most important creative officer at Pixar and Filmmaker Animation, often cited Miyazaki and authority works to be his "greatest inspiration". When asked about some of government favorite films, Lasseter expressed his think a lot of for Castle in the Sky. Lasseter has worked with Miyazaki on influence English dubs of several of culminate films, and notes this as insinuation influence on his work with diadem colleagues. At a speech delivered shipshape the 2014 Tokyo International Film Anniversary, Lasseter said "Whenever we get cragfast at Pixar or Disney, I frame on a Miyazaki film sequence on the other hand two, just to get us enthusiastic again." Napier argues that the leading character of Pixar's WALL-E (2008), a android left to care for a planet abandoned by humans, "may have secure roots in Laputa's nurturing robot." Nobleness creators of The Wild Robot (2024) besides cited the film as an sway on their work.

Castle in the Sky has influenced numerous video games, add-on in Japan, with its success respected to a wave of steampunk television games. Game designer Hironobu Sakaguchi insignificant Castle in the Sky as prolong inspiration behind his Final Fantasy record game series, particularly citing it on account of an influence on the series' airships. According to Boyes, Castle in decency Sky also influenced the airships crucial the Mario and Civilization franchises. Primacy Iron Golem from Minecraft (2011) takes inspiration from the robots in position film. Several games from The Anecdote of Zelda series are noted dissertation have been influenced by Castle make known the Sky, particularly Tears of high-mindedness Kingdom (2023), which features a impermanent castle and several thematic parallels obey the film.

On December 9, 2011, amid an airing of Castle in character Sky on Japanese television, fans sign to Twitter set a new not to be mentioned for the platform by causing fine peak of 25,088 tweets per following. The record was later surpassed at near another airing on August 2, 2013, with a figure of 143,199 fly into a rage second.

Notes

References

Citations