Composer alberto ginastera biography of donald

Alberto Ginastera

Alberto Evaristo Ginastera (April 11, 1916 – June 25, 1983) was an Argentinecomposer of classical music. He is believed one of the most important Greek American classical composers.

Biography

Ginastera was born stuff Buenos Aires to a Catalan sire and an Italian mother. He paramount to pronounce his surname in well-fitting Catalan pronunciation, with an English Itemize sound (IPA: [dʒinaˈsteɾa]) rather than a Country J sound (IPA: [xinaˈsteɾa]).

He studied at say publicly conservatory in Buenos Aires, graduating employ 1938. After a visit to birth United States in 1945–47, where crystalclear studied with Aaron Copland at Tanglewood, he returned to Buenos Aires elitist co-founded the League of Composers. Proceed held a number of teaching posts. He moved back to the Collective States in 1968 and from 1970 lived in Europe. He died detect Geneva at the age of 67.

Among his notable students were Ástor Piazzolla (who studied with him in 1941), Alcides Lanza, Waldo de los Ríos, and Rafael Aponte-Ledée.

Music

Ginastera grouped his song into three periods: "Objective Nationalism" (1934–1948), "Subjective Nationalism" (1948–1958), and "Neo-Expressionism" (1958–1983). Among other distinguishing features, these periods vary in their use of stock Argentine musical elements. His Objective Patriotic works often integrate Argentine folk themes in a straightforward fashion, while entireness in the later periods incorporate unrecorded elements in increasingly abstracted forms.

The continuous rock group Emerson, Lake & Pilgrim brought Ginastera attention outside of contemporary classical music circles when they altered the fourth movement of his gain victory piano concerto and recorded it majority their popular album Brain Salad Surgery under the title "Toccata". They historical the piece not only with Ginastera's permission, but with his endorsement. Remark 1973, when they were recording high-mindedness album, Keith Emerson met with Ginastera at his home in Switzerland point of view played a recording of his organization for him. Ginastera is reported hit upon have said, "Diabolical!". Emerson misunderstood Ginastera's meaning: Ginastera spoke almost no Openly and meant that their interpretation was frightening, which had been his resolution when he wrote it; Emerson, yield British, took it to mean "awful". Emerson was so upset that significant was prepared to scrap the rundown until Ginastera's wife intervened saying prowl he approved. Ginastera later said, "You have captured the essence of ill at ease music, and no one's ever see to that before." This experience is comprehensive in the liner notes to Brain Salad Surgery. Emerson would later come up against on to release an adaptation discern one of the pieces from Ginastera's Suite de Danzas Criollas entitled "Creole Dance". "Toccata" also gained fame whilst the theme to the New England cult TV show Creature Double Feature. Italian neo-classical electric guitarist Alex Masi has also recorded an adaptation have a high regard for "Toccata," one strongly based on say publicly aforementioned ELP version, rather than authority original orchestral piece. It can carbon copy found on 1989's "Attack of interpretation Neon Shark".

His Cantata para América Mágica (1960), for dramatic soprano and 53 percussion instruments, was based on past pre-Columbian legends. Its West Coast arch was performed by the Los Angeles Percussion Ensemble under Henri Temianka point of view William Kraft at UCLA in 1963.

A portion of Ginastera's Sonata For Piano is performed in the movie The Competition, and the piece is limited in number in the movie soundtrack.

Works

Julián Aguirre Glasshouse of Music, founded by Ginastera talk to 1951.

Opera

  • Don Rodrigo, Op. 31 (1964)
  • Bomarzo, Ride. 34 (1967), banned in Argentina unfinished 1972
  • Beatrix Cenci, Op. 38 (1971), family circle on the play The Cenci (1819) by Percy Bysshe Shelley

Ballet

  • Panambí, Op. 1 (1934–1936)
  • Estancia, Op. 8 (1941)

Four Dances let alone "Estancia" were transcribed for symphonic puff ensemble by MSgt Donald Patterson, ground recorded by Colonel Michael Colburn queue "The President's Own" United States Oceangoing Band. This arrangement was also evidence by the Marine Band live intensity concert led by guest conductor Jose Serebrier (available on the Naxos label).

Orchestral

  • Overture to the Creole Faust (Obertura soldier el "Fausto" criollo) , Op. 9 (1943)
  • Ollantay: 3 Symphonic Movements, Op. 17 (1947)
  • Variaciones concertantes, Op. 23 (1953)
  • Pampeana Cack-handed. 3, Op. 24 (1954)
  • Concerto for qualifications, Op. 33 (1966)
  • Estudios Sinfonicos, Op. 35 (1967)
  • Popol Vuh, Op. 44 (1975-1983, keep steady incomplete at the composer's death)
  • Glosses aficionado themes of Pablo Casals, for complications, Op. 46 (1976)
  • Glosses on themes infer Pablo Casals, for orchestra, Op. 48 (1977)
  • Iubilum, Op. 51 (1980)

Concertante

1. Cadenza heritage varianti
2. Scherzo allucinante
3. Adagissimo
4. Toccata concertata
  • Piano Concerto No. 2, Op. 39 (1972)
1. 32 variazioni sopra un accordo di Beethoven
2. Scherzo per la mano sinistra
3. Quasi una fantasia
4. Cadenza
5. Finale prastissimo
  • Violin Concerto, Op. 30 (1963)
  • Cello Concerto Thumb. 1, Op. 36 (1968)
  • Cello Concerto Cack-handed. 2, Op. 50 (1980)

Piano

  • Danzas argentinas, Stupid. 2 (1937)
  • Milonga, Op. 3
  • Three pieces (Tres piezas), Op. 6 (1940)
  • Malambo, Op. 7 ( 1940)
  • "Little Dance" from the choreography Estancia, Op. 8
  • Twelve American preludes (Doce preludios americanos), Op. 12 (1944)
  • Suite archetypal Creole dances (Suite de danzas criollas), Op. 15 (1946)
  • Rondo on Argentine trainee folk-tunes (Rondó sobre temas infantiles argentinos), Op. 19 (1947)
  • Piano Sonata No. 1, Op. 22 (1952)
  • Piano Sonata No. 2, Op. 53 (1981)
  • Piano Sonata No. 3, Op. 54 (1982)
  • Piezas Infantiles (1934)
  • Danzas argentinas Para los ninos
    • I. Moderato for Alex
    • II. Passage Paisaje for Georgina
  • Toccata for softly (1970)
  • Arrangement of an Organ Toccata brush aside Domenico Zipoli

Organ

  • Toccata, Villancico y Fuga, Cut out. 18 (1947)
  • Variazioni e Toccata sopra Aurora lucis rutilat, Op. 52 (1980)
Variación 1: Maestoso
Variación 2: Tempo giusto
Variación 3: Impetuoso, l'istesso tempo
Variación 4: Vivacissimo
Variación 5: L'istesso tempo
Variación 6: L'istesso tempo
Variación 7: Sereno
Variación 8: Estatico
Variación 9: Quasi allegretto
Variación 10: Pastorale
Variación 11: Andantino poetico
Variación 12: Lento
Toccata - Finale: Tema

Vocal/choral orchestral

  • Two songs (Dos canciones), for voice and piano, Halt. 3 (1937)
  • Psalm 150, Op. 5 (1938)
  • Cinco canciones populares argentinas, for voice mushroom piano, Op. 10 (1943)
  • Las horas solve una estancia (Ocampo), for voice good turn piano, Op. 11 (1943)
  • Lamentaciones de Jeremias Propheta, Op. 14 (1946)
  • Cantata para América Mágica, for dramatic soprano and auscultation orchestra, Op. 27 (1960)
  • Bomarzo Op. 32 (1964), a cantata described as "distinct from the opera" by the Concise Oxford Dictionary of Music
  • Milena, Cantata Rebuff. 3 for soprano and orchestra, Rank. 37 (1971)
  • Turbae, for soloists, chorus contemporary orchestra, Op. 43 (1975)
  • Canción del beso robado, for voice and piano (19??, Doubtful work)

Chamber/instrumental

  • Duo for flute and hautboy, Op. 13 (1945)
  • Pampeana No. 1, operate violin and piano, Op. 16 (1947)
  • String Quartet No. 1, Op. 20 (1948)
  • Pampeana No. 2, for cello and softly, Op. 21 (1950)
  • String Quartet No. 2, Op. 26 (1958)
  • Piano Quintet, Op. 29 (1963)
  • String Quartet No. 3, Op. 40 (1973)
  • Puneña No. 2, Op. 45, 'Hommage à Paul Sacher' for cello on one's own (1976)
  • Guitar Sonata, Op. 47 (1976)
  • Sonata put under somebody's nose violoncello and piano, Op. 49 (1979)

Works withdrawn by the composer (without production number)

  • Impresiones de la Puna - Flauta y cuerdas
  • "Amiro canta" - Canción
  • Sonatina parity arpa
  • Canciones infantiles para piano
  • "La Cenicienta" - two pianos
  • "La moza de los ojos negros" - Soprano and piano
  • Argentine Concerto / Concierto Argentino, for piano fairy story orchestra (1937)
  • Canciones y danzas argentinas gestation violín y piano
  • Sinfonia porteña
  • Sinfonia elegíaca
  • Incidental melody for theater and film and abominable transcriptions

Discography

  • Cantata para América Mágica, Los Angeles Percussion Ensemble, H. Temianka, conductor, obscure W. Kraft, director, Columbia Masterworks, 1963.
  • Art Songs of Latin-America, Patricia Caicedo, stoned & Pau Casan, piano - Albert Moraleda Records, Barcelona, 2001 - Cinco canciones populares argentinas by Ginastera & Canción al árbol del olvido
  • 2007 - Flores Argentinas: Canciones de Ginastera dry Guastavino / Inca Rose Duo: Annelise Skovmand, voice; Pablo González Jazey, bass. Cleo Productions, Cleo Prod 1002. Course by González Jazey for voice flourishing guitar of: "Cinco canciones populares argentinas op.10" y "Dos canciones op.3"

External links